At one of Tunisia’s largest steel factories, Mohamed becomes the victim of an explosion that leaves a slowly rusting piece of metal embedded in his head.
After being sidelined from his job and reassigned as a guard, he begins a journey of
18 Lebanese filmmakers, driven by the ongoing war in Gaza, transform their personal letters of turmoil into a series of powerful short films, unaware that their own country is on the brink of facing a similar tragic fate.
every forty seconds somebody in this world commits suicide. this project is sami’s personal attempt to continue reaching out to those who are struggling. a project 10 years in the making, with music composed and stills shared by sami, gently
Egypt, France, Germany, Tunisia, Saudi Arabia, Qatar, and Sudan
Aisha is a 26-year-old Sudanese caregiver living in a neighbourhood in the heart of Cairo where she witnesses the tension between her fellow African migrants and local gangs.
Stuck between an undefined relationship with a young Egyptian cook, a
Decades after his death, Noha ElKholy uncovers letters, diaries, and photographs left behind by her great-grandfather, the Azharite scholar Mohamed Abdallah Draz. Through this archive, she embarks on a journey to illuminate M.A. Draz's life story,
In the form of diaries, the filmmaker narrates four tumultuous years of a nation in turmoil, battling to break free from its own chains.
As the country is shaken by disruptions, personal quests for meaning and survival unfold. How can we continue
GREEN LINE uses miniature sets of Beirut and figurines to reconstruct Fida’s turbulent upbringing during the Lebanese Civil War that took place between 1975 and 1990. With the help of these models, Fida confronts the ex-militiamen who operated
After an accident that caused memory loss and several years of exile, a young French-Iraqi woman reconnects with her family to understand who she is. Gathered in the family home in the south of France, Leila confronts her father, Abdul, with his own
Wracked by guilt after covering up a murder, Mona — a northern Sudanese retired singer in a tense marriage — tries to make amends by taking in the deceased’s southern Sudanese widow, Julia, and her son, Daniel, into her home.
Unable to